Jump to content
  • Microphone Placement Tips for Singing on Smule

    After starting out with simple headsets, many Smule singers invest in better microphones later — often even expensive professional microphones normally used by singers on stage or in music studios. But as karaoke singer without professional training or a background in sound engineering it’s easy to make mistakes in this area. 


    Handheld microphones are usually very easy to use—whether you buy consumers microphones like the ones from IK Multimedia’s iRig line or professional stage mics like the famous Shure SM58. 

    But studio vocal mics are a different category. Studio microphones are usually highly sensitive condenser mics. I’ve seen Smule singers holding them in their hand, but you really shouldn’t do that. The microphone will pick up the slightest, almost unavoidable movements of your hands or the rustling when the microphone cable touches something or moves over the floor. And speaking of the floor: Studio mics will easily pick up vibrations of the floor or unwanted sounds transmitted through the floor. That’s why studio vocal mics usually hang in shock-mount cradle. It removes the hard physical connection of the microphone to the floor through the stand. Keep that in mind when ordering a studio condenser mic for your Smule singing. You might look out for bundles, which are often available. The usually contain a full kit with the microphone you choose, a stand, a cradle, and a pop filter—all working together perfectly without you having to worry about fitting connections for all the parts. 


    Example of a vocal kit with microphone, pop filter, cradle and stand. 

    And speaking of pop filters: With a handheld consumer or stage mic, a pop filter might not be necessary and look like you just want to appear professional somehow. But you will need a pop filter for your sensitive studio condenser mic. Popping sounds occur particularly in the pronunciation of aspirated plosives (such as the first “p” in the English word “popping”). Pop filters are designed to attenuate the energy (i.e. air pressure) of the plosive, which otherwise makes the sounds too loud or might even exceed the input capacity of the microphone, leading to clipping. 

    You are probably too close—positioning your studio mic

    But how do we place the pop filter and ourselves in front of the microphone? This questions leads us to the most important tip of the article and the most typical mistake karaoke singers make. Distance is crucial! We all have seen musicians on stage thousands of times, being extremely close to their mic. So they can’t be doing it all wrong, can they? They don’t, but that’s a stage setting, not a studio setting! There are several reasons why being too close to your mic is bad in a studio setting. 

    Proximity effect

    Directional or cardioid microphone have a so-called proximity effect. The closer you get to them, the stronger is the low frequency response. That might be great for a movie trailer narration or a radio show, but it usually bad for singing, since it’s just an unnatural sound. For a more natural sound, you have to stay away from your studio mic far enough. 

    Consistent volume

    If you are very close to a microphone, the slightest movements of your head can result in significant volume changes. If you move away from your mic, this effect gets smaller and smaller. Note that this does not mean your overall singing volume is lowered. You will compensate for the distance by raising the gain of your microphone. 

    Recording multiple audio sources

    If you want to record multiple audio sources—e.g. several singers or a singer with an accoustic instrument—you will also need enough distance. Don’t worry! While this wouldn’t work well with your Apple EarBuds or other headsets, professional mics are made for this. Even a distance of 40 inch (1 meter) should be no problem to record yourself and your guitar for example. Just point the mic in the general direction of all audio sources and adjust the gain as necessary. 

    The visual appearance

    Many Smule singers who use studio mics and pop filters place them between themselves and the camera. As a result, they hide most of their face behind the pop filter. Well, if you are shy and want it this way, go ahead. But don’t think you have to do that for a good sound. In fact, I made Smule recordings where my condenser mic and pop filter aren’t even visible in the frame. You can move the mic away and place it to the side, so your face is still visible. You might even place it behind the camera or below the camera outside of the camera frame, which is what I often do. You just need to find the right angle, so the microphone pics up your voice. You don’t need to be very close and you shouldn’t be very close. 

    Finding the right distance and direction

    There isn’t a specific distance you should use. You need to try it out and it can depend on the mic you use, your singing style and even the specific song. But as a rule of thumb, start with a distance of 8 to 10 inches (20–25 cm) between your mouth and the microphone or make a fist with both hands and put them both between you and the mic. A good place for the pop filter would be right in the middle—at least in case you can keep your distance to the microphone. If you get closer and closer to the pop filter while singing, move it further away from the mic and use it as a barrier, which forces you to keep your distance from the mic. 


    A studio setup with a Røde NT1-A

    Also, make sure you point the mic in the right direction. As you probably know, the sensitivity of a microphone to sound might not be equal in all directions. This is called the polar pattern. If we want to record a singer on stage with sounds coming from other instruments, the monitoring system and the audience, we need a directional polar pattern to only pick up the singers voice. Such microphones usually have a cardioid polar pattern are directed towards the singer. Studio vocal microphones on the other hand can have various polar patterns and will often be placed upright and the vocals come from an angle of up to 90 degrees. So make sure to place the mic correctly. Usually it is possible to tell from the casing of the microphone where the voice should come from. 


    Stage condenser mic (Røde M2) vs. studio mic (MXL 990)

    • like 4
    • thank you! 1

    User Feedback

    Recommended Comments

    After a Year on Smule almost I got fed up with the Stadard ear phones and mike that come with the Samsung POhone and invested in an Audio Technics ATH-M50X Professional Monitor Head Phones and an AKG D5 Vocal Microphone and the response from my Smule Friends has been fantastic.

    Thank you for this article that is informative and very thoughtful on your Part..

    Now I am trying to make a Yamaha MG 6X help me improve the vocals on Smule.. Still having a few Cabling problems though.I am thinking of upgrading it to Yamaha 10X as it has a lot more features.

    I will continue the Battle using an Android Samsung 7. If I cannot solve the time lag I will have to buy an iPhone or iPad






    Share this comment

    Link to comment
    Share on other sites

    Lag is not always caused by your phone slow data speeds the phone's processor check with your provider and see what your data plan is in speed if you increase your data speed your problems just me go away hope this helps..E

    Share this comment

    Link to comment
    Share on other sites

    Awesome article I agree a condenser mic should be on a stand but a mic like a Shure Beta 58a doesn't need a stand it also has almost non-existent Mike handling but none of this sounds good without the iRig mic pre hook to your phone preferably running through a mixer I tried the iRig mic pre by itself to my phone and found it sounded flat without effects without no eq the rule of thumb in any Studio is from 3 inches two 6inches 4 power notes the simplest way spread your fingers like you're making a 5 sign then from your pinky of the condenser mic to your thumb touching the pop filter will give you the distance when your singing soft or loud it's your condenser mic distorts when you hit power notes senior vocals a bit off to side of the mic this also will limit your "p" sound when you sing through the pop filter hope this helps....E and yes before anyone asks I own 2 condenser mics a RODE NT-1A with a pop filter and a audio techniques 2010 handheld condenser microphone

    Share this comment

    Link to comment
    Share on other sites

    Create an account or sign in to comment

    You need to be a member in order to leave a comment

    Create an account

    Sign up for a new account in our community. It's easy!

    Register a new account

    Sign in

    Already have an account? Sign in here.

    Sign In Now

  • Create New...

Important Information

As most websites, we have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue. You may also check out our Privacy Policy